“I do desire it,” murmured Gania, softly but firmly, lowering his eyes; and he relapsed into gloomy silence.
The general was satisfied. He had excited himself, and was evidently now regretting that he had gone so far. He turned to the prince, and suddenly the disagreeable thought of the latter’s presence struck him, and the certainty that he must have heard every word of the conversation. But he felt at ease in another moment; it only needed one glance at the prince to see that in that quarter there was nothing to fear.
“Oh!” cried the general, catching sight of the prince’s specimen of caligraphy, which the latter had now handed him for inspection. “Why, this is simply beautiful; look at that, Gania, there’s real talent there!”
On a sheet of thick writing-paper the prince had written in medieval characters the legend:
“The gentle Abbot Pafnúte signed this.”
“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature—from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit—here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d . I have tried to translate the French character into the Russian letters—a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand—‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and