up to a pew in the gallery, which brought him under a coloured window which he loved and always quieted his spirit; a blue window with an angel carrying lilies. There he began to think less about the half-wit, with his livid face and mouth like a fish. He began to think less of his evil brother, pacing like a lean lion in his horrible hunger. He sank deeper and deeper into those cold and sweet colours of silver blossoms and sapphire sky.
In this place half an hour afterwards he was found by Gibbs, the village cobbler, who had been sent for him in some haste. He got to his feet with promptitude, for he knew that no small matter would have brought Gibbs into such a place at all. The cobbler was, as in many villages, an atheist, and his appearance in church was a shade more extraordinary than Mad Joe’s. It was a morning of theological enigmas.
“What is it?” asked Wilfred Bohun rather stiffly, but putting out a trembling hand for his hat.
The atheist spoke in a tone that, coming from him, was quite startlingly respectful, and even, as it were, huskily sympathetic.
“You must excuse me, sir,” he said in a hoarse whisper, “but we didn’t think it right not to let you know at once. I’m afraid a rather dreadful thing has happened, sir. I’m afraid your brother—”
Wilfred clenched his frail hands. “What devilry has he done now?” he cried in voluntary passion.
“Why, sir,” said the cobbler, coughing, “I’m afraid he’s done nothing, and won’t do anything. I’m afraid he’s done for. You had really better come down, sir.”
The curate followed the cobbler down a short winding stair which brought them out at an entrance rather higher than the street. Bohun