VIII

wished to imagine to be pleasure, to banish thought and opiate despair. None but Adrian could have tamed the motley population of London, which, like a troop of unbitted steeds rushing to their pastures, had thrown aside all minor fears, through the operation of the fear paramount. Even Adrian was obliged in part to yield, that he might be able, if not to guide, at least to set bounds to the license of the times. The theatres were kept open; every place of public resort was frequented; though he endeavoured so to modify them, as might best quiet the agitation of the spectators, and at the same time prevent a reaction of misery when the excitement was over. Tragedies deep and dire were the chief favourites. Comedy brought with it too great a contrast to the inner despair: when such were attempted, it was not unfrequent for a comedian, in the midst of the laughter occasioned by his disporportioned buffoonery, to find a word or thought in his part that jarred with his own sense of wretchedness, and burst from mimic merriment into sobs and tears, while the spectators, seized with irresistible sympathy, wept, and the pantomimic revelry was changed to a real exhibition of tragic passion.