lamp, whose gleam gilded the leaves of the tree that bent out over the fence behind him. About a foot from the lamppost stood a figure almost as rigid and motionless as the lamppost itself. The tall hat and long frock coat were black; the face, in an abrupt shadow, was almost as dark. Only a fringe of fiery hair against the light, and also something aggressive in the attitude, proclaimed that it was the poet Gregory. He had something of the look of a masked bravo waiting sword in hand for his foe.
He made a sort of doubtful salute, which Syme somewhat more formally returned.
“I was waiting for you,” said Gregory. “Might I have a moment’s conversation?”
“Certainly. About what?” asked Syme in a sort of weak wonder.
Gregory struck out with his stick at the lamppost, and then at the tree. “About this and this ,” he cried; “about order and anarchy. There is your precious order, that lean, iron lamp, ugly and barren; and there is anarchy, rich, living, reproducing itself—there is anarchy, splendid in green and gold.”
“All the same,” replied Syme patiently, “just at present you only see the tree by the light of the lamp. I wonder when you would ever see the lamp by the light of the tree.” Then after a pause he said, “But may I ask if you have been standing out here in the dark only to resume our little argument?”
“No,” cried out Gregory, in a voice that rang down the street, “I did not stand here to resume our argument, but to end it forever.”
The silence fell again, and Syme, though he understood nothing, listened instinctively for something serious. Gregory began in a smooth voice and with a rather bewildering smile.