“I’m glad to hear that you expect young Drood.”
“I expect the dear fellow every moment.”
“Ah! He will do you more good than a doctor, Jasper.”
“More good than a dozen doctors. For I love him dearly, and I don’t love doctors, or doctors’ stuff.”
Mr. Jasper is a dark man of some six‑and‑twenty, with thick, lustrous, well-arranged black hair and whisker. He looks older than he is, as dark men often do. His voice is deep and good, his face and figure are good, his manner is a little sombre. His room is a little sombre, and may have had its influence in forming his manner. It is mostly in shadow. Even when the sun shines brilliantly, it seldom touches the grand piano in the recess, or the folio music-books on the stand, or the bookshelves on the wall, or the unfinished picture of a blooming schoolgirl hanging over the chimneypiece; her flowing brown hair tied with a blue ribbon, and her beauty remarkable for a quite childish, almost babyish, touch of saucy discontent, comically conscious of itself. (There is not the least artistic merit in this picture, which is a mere daub; but it is clear that the painter has made it humorously—one might almost say, revengefully—like the original.)
“We shall miss you, Jasper, at the ‘Alternate Musical Wednesdays’ tonight; but no doubt you are best at home. Good night. God bless you! ‘Tell me, shep‑herds, te‑e‑ell me; tell me‑e‑e, have you seen (have you seen, have you seen, have you seen) my‑y‑y Flo‑o‑ora‑a pass this way!’ ” Melodiously good Minor Canon the Reverend Septimus Crisparkle thus delivers himself, in musical rhythm, as he withdraws his amiable face from the doorway and conveys it downstairs.
Sounds of recognition and greeting pass between the Reverend Septimus and somebody else, at the stair-foot. Mr. Jasper listens, starts from his chair, and catches a young fellow in his arms, exclaiming: