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nydus/The Notebooks of Leonardo da VinciPublic
Page 177 of 1234
Table of Contents

PROLEGOMENA AND GENERAL INTRODUCTION TO THE BOOK ON PAINTING

that pyramid to cast a shadow of bifurcate form and various degrees of depth.

If an opaque body, smaller than the light, casts two shadows and if it is the same size or larger, casts but one, it follows that a pyramidal body, of which part is smaller, part equal to, and part larger than, the luminous body, will cast a bifurcate shadow.

[Footnote: Between lines 2 and 3 there are in the original two large diagrams.]

IV.

Perspective of Disappearance.

The theory of the "Prospettiva de' perdimenti" would, in many important details, be quite unintelligible if it had not been led up by the principles of light and shade on which it is based. The word "Prospettiva" in the language of the time included the principles of optics; what Leonardo understood by "Perdimenti" will be clearly seen in the early chapters, Nos. 222—224. It is in the very nature of the case that the farther explanations given in the subsequent chapters must be limited to general rules. The sections given as 227—231 "On indistinctness at short distances" have, it is true, only an indirect bearing on the subject; but on the other hand, the following chapters, 232—234, "On indistinctness at great distances," go fully into the matter, and in chapters 235—239, which treat "Of the importance of light and shade in the Perspective of Disappearance", the practical issues are distinctly insisted on in their relation to the theory. This is naturally followed by the statements as to "the effect of light or dark backgrounds on the apparent size of bodies" (Nos. 240—250). At the end I have placed, in the order of the original, those sections from the MS. C *which treat of the "Perspective of

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