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nydus/The Notebooks of Leonardo da VinciPublic
Page 413 of 1234
Table of Contents

PROLEGOMENA AND GENERAL INTRODUCTION TO THE BOOK ON PAINTING

distance is filled with air, that mass of air forms a dense body which intervenes and prevents the eye seeing the minute details of objects.

569.

Whenever a figure is placed at a considerable distance you lose first the distinctness of the smallest parts; while the larger parts are left to the last, losing all distinctness of detail and outline; and what remains is an oval or spherical figure with confused edges.

570.

OF PAINTING.

The density of a body of smoke looks white below the horizon while above the horizon it is dark, even if the smoke is in itself of a uniform colour, this uniformity will vary according to the variety in the ground on which it is seen.

IV.
OF PORTRAIT AND FIGURE PAINTING.

Of sketching figures and portraits (571-572).

571.

OF THE WAY TO LEARN TO COMPOSE FIGURES [IN GROUPS] IN HISTORICAL PICTURES.

When you have well learnt perspective and have by heart the parts and forms

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