on the outside, and the left shoulder be somewhat lower than the right, while the nape of the neck is in a line directly over the outer ancle of the left foot. And the left shoulder will be in a perpendicular line above the toes of the right foot. And always set your figures so that the side to which the head turns is not the side to which the breast faces, since nature for our convenience has made us with a neck which bends with ease in many directions, the eye wishing to turn to various points, the different joints. And if at any time you make a man sitting with his arms at work on something which is sideways to him, make the upper part of his body turn upon the hips.
[Footnote: Compare Pl. VII, No. 5. The original drawing at Windsor
Castle is numbered 104.]
596.
When you draw the nude always sketch the whole figure and then finish those limbs which seem to you the best, but make them act with the other limbs; otherwise you will get a habit of never putting the limbs well together on the body.
Never make the head turn the same way as the torso, nor the arm and leg move together on the same side. And if the face is turned to the right shoulder, make all the parts lower on the left side than on the right; and when you turn the body with the breast outwards, if the head turns to the left side make the parts on the right side higher than those on the left.
[Footnote: In the original MS. a much defaced sketch is to be seen by the side