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PROLEGOMENA AND GENERAL INTRODUCTION TO THE BOOK ON PAINTING

in the shadow, and in the lights white, yellow, green, vermilion and lake. Medium shadows; take the shadow as above and mix it with the flesh tints just alluded to, adding to it a little yellow and a little green and occasionally some lake; for the shadows take green and lake for the middle shades.

[Footnote 618 and 619: If we may judge from the flourishes with which the writing is ornamented these passages must have been written in Leonardo's youth.]

620.

You can make a fine ochre by the same method as you use to make white.

621.

A FINE YELLOW.

Dissolve realgar with one part of orpiment, with aqua fortis.

WHITE.

Put the white into an earthen pot, and lay it no thicker than a string, and let it stand in the sun undisturbed for 2 days; and in the morning when the sun

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