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nydus/The Phantom of the OperaPublic
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XII. Apollo’s Lyre

gave him such confidence that he ventured to take me walking on the banks of the lake and to row me in the boat on its leaden waters; toward the end of my captivity he let me out through the gates that closed the underground passages in the Rue Scribe. Here a carriage awaited us and took us to the Bois. The night when we met you was nearly fatal to me, for he is terribly jealous of you and I had to tell him that you were soon going away.⁠ ⁠… Then, at last, after a fortnight of that horrible captivity, during which I was filled with pity, enthusiasm, despair and horror by turns, he believed me when I said, ‘ I will come back! ’ ”

“And you went back, Christine,” groaned Raoul.

“Yes, dear, and I must tell you that it was not his frightful threats when setting me free that helped me to keep my word, but the harrowing sob which he gave on the threshold of the tomb.⁠ ⁠… That sob attached me to the unfortunate man more than I myself suspected when saying goodbye to him. Poor Erik! Poor Erik!”

“Christine,” said Raoul, rising, “you tell me that you love me; but you had recovered your liberty hardly a few hours before you returned to Erik! Remember the masked ball!”

“Yes; and do you remember those hours which I passed with you, Raoul⁠ ⁠… to the great danger of both of us?”

“I doubted your love for me, during those hours.”

“Do you doubt it still, Raoul?⁠ ⁠… Then know that each of my visits to Erik increased my horror of him; for each of those visits, instead of calming him, as I hoped, made him mad with love!⁠ ⁠… And I am so frightened, so frightened!⁠ ⁠…”

“You are frightened⁠ ⁠… but do you love me? If Erik were good-looking, would you love me, Christine?”

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