that she ate an enormous dinner, so I did not feel any anxiety. But what a lack of taste she showed! The one charm of the past is that it is the past. But women never know when the curtain has fallen. They always want a sixth act, and as soon as the interest of the play is entirely over, they propose to continue it. If they were allowed their own way, every comedy would have a tragic ending, and every tragedy would culminate in a farce. They are charmingly artificial, but they have no sense of art.
You are more fortunate than I am. I assure you, Dorian, that not one of the women I have known would have done for me what Sibyl Vane did for you.
Ordinary women always console themselves.
- Some of them do it by going in for sentimental colours. Never trust a woman who wears mauve, whatever her age may be, or a woman over thirty-five who is fond of pink ribbons. It always means that they have a history.
- Others find a great consolation in suddenly discovering the good qualities of their husbands. They flaunt their conjugal felicity in one’s face, as if it were the most fascinating of sins.
Religion consoles some. Its mysteries have all the charm of a flirtation, a woman once told me, and I can quite understand it. Besides, nothing makes one so vain as being told that one is a sinner. Conscience makes egotists of us all. Yes; there is really no end to the consolations that women find in modern life. Indeed, I have not mentioned the most important one.”
“What is that, Harry?” said the lad listlessly.
“Oh, the obvious consolation. Taking someone else’s admirer when one loses one’s own. In good society that always whitewashes a woman. But really, Dorian, how different Sibyl Vane must have been from all the