must not have before his mind a single object, “Desdemona’s love for Cassio,” or “that Desdemona loves Cassio,” for that would require that there should be objective falsehoods, which subsist independently of any minds; and this, though not logically refutable, is a theory to be avoided if possible. Thus it is easier to account for falsehood if we take judgement to be a relation in which the mind and the various objects concerned all occur severally; that is to say, Desdemona and loving and Cassio must all be terms in the relation which subsists when Othello believes that Desdemona loves Cassio. This relation, therefore, is a relation of four terms, since Othello also is one of the terms of the relation. When we say that it is a relation of four terms, we do not mean that Othello has a certain relation to Desdemona, and has the same relation to loving and also to Cassio. This may be true of some other relation than believing; but believing, plainly, is not a relation which Othello has to each of the three terms concerned, but to all of them together: there is only one example of the relation of believing involved, but this one example knits together four terms. Thus the actual occurrence, at the moment when Othello is entertaining his belief, is that the relation called “believing” is knitting together into one complex whole the four terms Othello, Desdemona, loving, and Cassio. What is called belief or judgement is nothing but this relation of believing or judging, which relates a mind to several things other than itself. An act of belief or of judgement is the occurrence between certain terms at some particular time, of the relation of believing or judging.
We are now in a position to understand what it is that distinguishes a true judgement from a false one. For this purpose we will adopt certain definitions. In every act of judgement there is a mind which judges, and there are terms concerning which it judges. We will call the mind the “subject” in the judgement, and the remaining terms the “objects.” Thus, when Othello judges that Desdemona loves Cassio, Othello is the subject, while the objects are Desdemona and loving and Cassio. The subject and the objects together are called the “constituents” of the