imparted to familiar objects by an unaccustomed light. The wooden houses, with their jutting stories and quaint gable-peaks; the doorsteps and thresholds, with the early grass springing up about them; the garden-plots, black with freshly turned earth; the wheel-track, little worn, and, even in the marketplace, margined with green on either side;—all were visible, but with a singularity of aspect that seemed to give another moral interpretation to the things of this world than they had ever borne before. And there stood the minister, with his hand over his heart; and Hester Prynne, with the embroidered letter glimmering on her bosom; and little Pearl, herself a symbol, and the connecting link between those two. They stood in the noon of that strange and solemn splendor, as if it were the light that is to reveal all secrets, and the daybreak that shall unite all who belong to one another.
There was witchcraft in little Pearl’s eyes, and her face, as she glanced upward at the minister, wore that naughty smile which made its expression frequently so elvish. She withdrew her hand from Mr. Dimmesdale’s, and pointed across the street. But he clasped both his hands over his breast, and cast his eyes towards the zenith.
Nothing was more common, in those days, than to interpret all meteoric appearances, and other natural phenomena, that occurred with less regularity than the rise and set of sun and moon, as so many revelations from a supernatural source. Thus, a blazing spear, a sword of flame, a bow, or a sheaf of arrows, seen in the midnight sky, prefigured Indian warfare. Pestilence was known to have been foreboded by a shower of crimson light. We doubt whether any marked event, for good or evil, ever befell New England, from its settlement down to Revolutionary times, of which the inhabitants had not been previously warned by some spectacle of this nature. Not seldom, it had been seen by multitudes. Oftener, however, its credibility rested on the faith of some lonely eyewitness, who beheld the wonder through the colored, magnifying, and distorting medium of his imagination, and shaped it more distinctly