Plans were already under way to build a town in the valley a mile from the caves. The unicorn-proof stockade wall that would enclose it was already under construction, being made of stone blocks. The houses would be of diamond-sawed stone, thick-walled, with dead-air spaces between the double walls to insulate against heat and cold. Tall, wide canopies of lance tree poles and the palm-like medusabush leaves would be built over all the houses to supply additional shade.

The woods goats were fully adapted that year and domesticated to such an extent that they had no desire to migrate with the wild goats. There was a small herd of them then, enough to supply a limited amount of milk, cheese and wool.

The adaptation of the unicorns proceeded in the following years, but not their domestication. It was their nature to be ill-tempered and treacherous and only the threat of the spears in the hands of their drivers forced them to work; work that they could have done easily had they not diverted so much effort each day to trying to turn on their masters and kill them. Each night they were put in a massive-walled corral, for they were almost as dangerous as wild unicorns.

The slow, painstaking work on the transmitter continued while the suns moved farther south each year. The move from the caves to the new town was made in one hundred and seventy-nine, the year that Schroeder’s wife died.

His two sons were grown and married and Julia, at sixteen, was a woman by Ragnarok standards; blue-eyed and black-haired as her mother, a Craig, had been, and strikingly pretty in a wild, reckless way. She married Will Humbolt that spring, leaving her father alone in the new house in the new town.

Four months later she came to him to announce with pride and excitement: