Mr. Sylvester followed her with his eyes; he had never seen her look more vivacious; had the hope of seeing a young face at their board touched some secret chord in her nature as well as his? Was she more of a woman than he imagined, and would she be, though in the most superficial of ways, a mother to Paula? Flushed with the thought, he turned back to the little lady at his side. She was gazing in an intent and thoughtful way at an engraving of Dubufe’s “Prodigal Son” that adorned the wall above her head. There was something in her face that made him ask:
“Is that a favorite picture of yours?”
She smiled and nodded her small and delicate head.
“Yes sir, it is indeed, but I was not looking at the picture so much as at the face of that dark-haired girl that sits in the centre, with that faraway expression in her eyes. Do you see what I mean? She is like none of the rest. Her form is before us, but her heart and her interest are in some distant clime or forsaken home to which the music murmured at her side recalls her. She has a soul above her surroundings, that girl; and her face is indescribably pathetic to me. In the recesses of her being she carries a memory or a regret that separates her from the world and makes certain moments of her life almost holy.”
“You look deep,” said Mr. Sylvester, gazing down upon the little lady’s face with strongly awakened interest. “You see more perhaps than the painter intended.”
“No, no; possibly more than the engraving expresses, but not more than the artist intended. I saw the original once, when as you remember it was on exhibition here. I was a wee thing, but I never forgot that girl’s face. It spoke more than all the rest to me; perhaps because I so much honor reserve in one who holds in his breast a great pain or a great hope.”