It was inevitable, but unfortunate, that this movement should have sometimes tended to take the form of an attempt on the part of women to secure, not merely equality with men, but actual imitation of men. These women said that since men had attained mastery in life, captured all the best things, and adopted the most successful methods of living, it was necessary for women to copy them at every point. That was a specious plea which even had in it a certain element of truth. But the fact remained that women and men are different, that the difference is based in fundamental natural functions, and that to place one sex in exactly the same position as the other sex is to deform its outlines and to hamper its activities.
From the present point of view we are only concerned with the influence of the woman's movement on love. On the traditional conception of romantic love inherited from medieval days there can be no doubt that this influence has been highly dissolvent. Medieval romantic love, in its original form, had been part of a conception of womanhood made up of opposites, and all the opposites balanced each other. The medieval man laid his homage at the feet of the great lady in the castle hall, but he himself lorded it over the wife who drudged in his own home. On his knees he gazed up in devotion at the ethereal virgin, but when she ceased to be a virgin, he
asserted himself by cursing her as a demon sent from hell to seduce and torment him. All this was possible because the woman was outside the orbit of the man's life, never on the same plane, necessarily higher or lower. It became difficult if woman was man's equal, absurdly impossible if she was of identical nature with him.