But when full allowance has been made for this harmless element of poetry and pretty human perversity in the thing, I shall not hesitate to maintain here that this cult of the future is not only a weakness but a cowardice of the age. It is the peculiar evil of this epoch that even its pugnacity is fundamentally frightened; and the Jingo is contemptible not because he is impudent, but because he is timid. The reason why modern armaments do not inflame the imagination like the arms and emblazonments of the Crusades is a reason quite apart from optical ugliness or beauty. Some battleships are as beautiful as the sea; and many Norman nosepieces were as ugly as Norman noses. The atmospheric ugliness that surrounds our scientific war is an emanation from that evil panic which is at the heart of it. The charge of the Crusades was a charge; it was charging towards God, the wild consolation of the brave. The charge of the modern armaments is not a charge at all. It is a rout, a retreat, a flight from the devil, who will catch the hindmost. It is impossible to imagine a medieval knight talking of longer and longer French lances, with precisely the quivering employed about larger and larger German ships.

Now this same primary panic that I feel in our rush towards patriotic armaments I feel also in our rush towards future visions of society. The modern mind is forced towards the future by a certain sense of fatigue, not unmixed with terror, with which it regards the past. It is propelled towards the coming time; it is, in the exact words of the popular phrase, knocked into the middle of next week. And the goad which drives it on thus eagerly is not an affectation for futurity. Futurity does not exist, because it is still future. Rather it is a fear of the past; a fear not merely of the evil in the past, but of the good in the past also. The brain breaks down under the unbearable virtue of mankind. There have been so many flaming faiths that we cannot hold; so many harsh heroisms that we cannot imitate; so many great efforts of monumental building or of military glory which seem to us at once sublime and pathetic. The future is a refuge from the fierce competition of our forefathers. The older generation, not the younger, is knocking at our door. It is agreeable to escape, as Henley said, into the Street of By-and-By, where stands the Hostelry of Never. It is pleasant to play with children, especially unborn children.

The future is a blank wall on which every man can write his own name as large as he likes; the past I find already covered with illegible scribbles, such as Plato, Isaiah, Shakespeare, Michelangelo, Napoleon. I can make the future as narrow as myself; the past is obliged to be as broad and turbulent as humanity. And the upshot of this modern attitude is really this: that men invent new ideals because they dare not attempt old ideals. They look forward with enthusiasm, because they are afraid to look back.