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nydus/With the Empress Dowager of ChinaPublic
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XXXII

Palace, and had begun to progress with my work. I knew I should be obliged to have the new place arranged with upper glass windows and that I would again lose time, and the date of the opening of the St. Louis Exposition was approaching! But there was no help for it; I must go with the Court to the Sea Palace. I was told that there I was to have a magnificent pavilion on the lake, with a perfect light for painting. As to the pavilion’s being magnificent, I had no doubt, but I did doubt, from past experiences, whether the light would be all that could be desired.

One morning our chairs carried us to the Sea Palace instead of to the Winter Palace. All my painting things, materials, canvases, as well as Her Majesty’s Throne, on which she was seated for the portrait, had been moved. Not the smallest piece of paper, nor even a bit of charcoal was missing. I had painted until the last moment at the Winter Palace, the day before; and early the next morning my things were in perfect order⁠—the portrait on the easel, and the Throne in the proper position in my quarters at the Sea Palace. It was an “Aladdin’s-Lamp” move.

The group of buildings that had been set aside for my painting fronted on the lake, and were really charming, but the overhanging verandahs to each pavilion forced me again to have the upper windows put in. After this was accomplished, it was the best working-room I had ever had at any of the Palaces. The days were getting longer and the light better, and I hoped now to soon finish the portrait.

A few days after the Court moved to the Sea Palace, the members of the Corps Diplomatique were received in Audience to present their congratulations to the Emperor and Empress Dowager on the occasion of the Chinese New Year. They were received in the Great Audience Hall; but the ladies of the Legation, whose reception took place the following day, were received in Her Majesty’s Throne-room opening on the Court of the large Theater at the Sea Palace. As it was cold, the Theater and its court were entirely enclosed and roofed over in glass, in

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