The captain sent for Emily, and questioned her: but she added nothing to that first, crucial burst of confidence to the stewardess. She seemed struck dumb⁠—with terror, or something: at least, he could get nothing out of her. So he wisely let her alone. She would probably tell her story in her own time: to her new friend, perhaps. But this she did not do. She would not talk about the schooner, or the pirates, or anything concerning them: what she wanted was to listen, to drink in all she could learn about England, where they were really going at last⁠—that wonderfully exotic, romantic place.

Louisa Dawson was quite a wise young person for her years. She saw that Emily did not want to talk about the horrors she had been through: but considered it far better that she should be made to talk than that she should brood over them in secret. So when the days passed and no confidences came, she set herself to draw the child out. She had, as everybody has, a pretty clear idea in her own head of what life is like in a pirate vessel. That these little innocents should have come through it alive was miraculous, like the three Hebrews in the fiery furnace.