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nydus/A Portrait of the Artist as a Young ManPublic
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V

20 March: Long talk with Cranly on the subject of my revolt.

He had his grand manner on. I supple and suave. Attacked me on the score of love for one’s mother. Tried to imagine his mother: cannot. Told me once, in a moment of thoughtlessness, his father was sixtyone when he was born. Can see him. Strong farmer type. Pepper and salt suit. Square feet. Unkempt, grizzled beard. Probably attends coursing matches. Pays his dues regularly but not plentifully to Father Dwyer of Larras. Sometimes talks to girls after nightfall. But his mother? Very young or very old? Hardly the first. If so, Cranly would not have spoken as he did. Old then. Probably, and neglected. Hence Cranly’s despair of soul: the child of exhausted loins.

21 March, morning: Thought this in bed last night but was too lazy and free to add to it. Free, yes. The exhausted loins are those of Elizabeth and Zacchary. Then he is the precursor. Item: he eats chiefly belly bacon and dried figs. Read locusts and wild honey. Also, when thinking of him, saw always a stern severed head or death mask as if outlined on a grey curtain or veronica. Decollation they call it in the fold. Puzzled for the moment by saint John at the Latin gate. What do I see? A decollated precursor trying to pick the lock.

21 March, night: Free. Soul free and fancy free. Let the dead bury the dead. Ay. And let the dead marry the dead.

22 March: In company with Lynch followed a sizeable hospital nurse. Lynch’s idea. Dislike it. Two lean hungry greyhounds walking after a heifer.

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