CodalSearch this book — or all of Codal…⌘K
nydus/A Portrait of the Artist as a Young ManPublic
Page 92 of 344
Table of Contents

II

Christmas his mood of embittered silence did not leave him. The causes of his embitterment were many, remote and near. He was angry with himself for being young and the prey of restless foolish impulses, angry also with the change of fortune which was reshaping the world about him into a vision of squalor and insincerity. Yet his anger lent nothing to the vision. He chronicled with patience what he saw, detaching himself from it and tasting its mortifying flavour in secret.

He was sitting on the backless chair in his aunt’s kitchen. A lamp with a reflector hung on the japanned wall of the fireplace and by its light his aunt was reading the evening paper that lay on her knees. She looked a long time at a smiling picture that was set in it and said musingly:

―The beautiful Mabel Hunter!

A ringletted girl stood on tiptoe to peer at the picture and said softly:

―What is she in, mud?

―In a pantomime, love.

The child leaned her ringletted head against her mother’s sleeve, gazing on the picture and murmured as if fascinated:

―The beautiful Mabel Hunter!

As if fascinated, her eyes rested long upon those demurely taunting eyes and she murmured devotedly:

―Isn’t she an exquisite creature?

And the boy who came in from the street, stamping crookedly under his stone of coal, heard her words. He dropped his load promptly on the floor and hurried to her side to see. He mauled the edges of the paper with his reddened and blackened hands, shouldering her aside and complaining that he could not see.

92