“Yes,” answered Raskolnikov, with an unpleasant sensation at the very moment he spoke that he need not have said it.
“Then when you went upstairs between seven and eight, didn’t you see in a flat that stood open on a second storey, do you remember? two workmen or at least one of them? They were painting there, didn’t you notice them? It’s very, very important for them.”
“Painters? No, I didn’t see them,” Raskolnikov answered slowly, as though ransacking his memory, while at the same instant he was racking every nerve, almost swooning with anxiety to conjecture as quickly as possible where the trap lay and not to overlook anything. “No, I didn’t see them, and I don’t think I noticed a flat like that open. … But on the fourth storey” (he had mastered the trap now and was triumphant) “I remember now that someone was moving out of the flat opposite Alyona Ivanovna’s. … I remember … I remember it clearly. Some porters were carrying out a sofa and they squeezed me against the wall. But painters … no, I don’t remember that there were any painters, and I don’t think that there was a flat open anywhere, no, there wasn’t.”
“What do you mean?” Razumihin shouted suddenly, as though he had reflected and realised. “Why, it was on the day of the murder the painters were at work, and he was there three days before? What are you asking?”
“Foo! I have muddled it!” Porfiry slapped himself on the forehead. “Deuce take it! This business is turning my brain!” he addressed Raskolnikov somewhat apologetically. “It would be such a great thing for us to find out whether anyone had seen them between seven and eight at the flat, so I fancied you could perhaps have told us something. … I quite muddled it.”