back his chair, he seemed to have become suddenly aware that Raskolnikov had seen him, and was watching him. What had passed between them was much the same as what happened at their first meeting in Raskolnikov’s room. A sly smile came into Svidrigaïlov’s face and grew broader and broader. Each knew that he was seen and watched by the other. At last Svidrigaïlov broke into a loud laugh.
“Well, well, come in if you want me; I am here!” he shouted from the window.
Raskolnikov went up into the tavern. He found Svidrigaïlov in a tiny back room, adjoining the saloon in which merchants, clerks and numbers of people of all sorts were drinking tea at twenty little tables to the desperate bawling of a chorus of singers. The click of billiard balls could be heard in the distance. On the table before Svidrigaïlov stood an open bottle and a glass half full of champagne. In the room he found also a boy with a little hand organ, a healthy-looking red-cheeked girl of eighteen, wearing a tucked-up striped skirt, and a Tyrolese hat with ribbons. In spite of the chorus in the other room, she was singing some servants’ hall song in a rather husky contralto, to the accompaniment of the organ.
“Come, that’s enough,” Svidrigaïlov stopped her at Raskolnikov’s entrance. The girl at once broke off and stood waiting respectfully. She had sung her guttural rhymes, too, with a serious and respectful expression in her face.
“Hey, Philip, a glass!” shouted Svidrigaïlov.
“I won’t drink anything,” said Raskolnikov.
“As you like, I didn’t mean it for you. Drink, Katia! I don’t want anything more today, you can go.” He poured her out a full glass, and laid down a yellow note.