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Introduction

The Publishers of the Standard Novels, in selecting Frankenstein for one of their series, expressed a wish that I should furnish them with some account of the origin of the story. I am the more willing to comply, because I shall thus give a general answer to the question, so very frequently asked me⁠—“How I, when a young girl, came to think of, and to dilate upon, so very hideous an idea?” It is true that I am very averse to bringing myself forward in print; but as my account will only appear as an appendage to a former production, and as it will be confined to such topics as have connection with my authorship alone, I can scarcely accuse myself of a personal intrusion.

It is not singular that, as the daughter of two persons of distinguished literary celebrity, I should very early in life have thought of writing.

As a child I scribbled; and my favourite pastime, during the hours given me for recreation, was to “write stories.”

Still I had a dearer pleasure than this, which was the formation of castles in the air⁠—the indulging in waking dreams⁠—the following up trains of thought, which had for their subject the formation of a succession of imaginary incidents.

My dreams were at once more fantastic and agreeable than my writings. In the latter I was a close imitator⁠—rather doing as others had done, than putting down the suggestions of my own mind.

What I wrote was intended at least for one other eye⁠—my childhood’s companion and friend; but my dreams were all my own; I accounted for them to nobody; they were my refuge when annoyed⁠—my dearest pleasure when free.

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