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nydus/Goethe's Theory of ColoursPublic
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Table of Contents

GOETHE'S

to a ruby-colour.—Note L.

151.

If on the other hand darkness is seen through a semi-transparent medium, which is itself illumined by a light striking on it, a blue colour appears: this becomes lighter and paler as the density of the medium is increased, but on the contrary appears darker and deeper the more transparent the medium becomes: in the least degree of dimness short of absolute transparence, always supposing a perfectly colourless medium, this deep blue approaches the most beautiful violet.

152.

If this effect takes place in the eye as here described, and may thus be pronounced to be subjective, it remains further to convince ourselves of this by objective phenomena. For a light thus mitigated and subdued illumines all objects in like manner with a yellow, yellow-red, or red hue; and, although the effect of darkness through the non-transparent medium does not exhibit itself so powerfully, yet the blue sky displays itself in the camera obscura very distinctly on white paper, as well as every other material colour.

153.

In examining the cases in which this important leading phenomenon appears, we naturally mention the atmospheric colours first: most of these may be here introduced in order.

154.

The sun seen through a certain degree of vapour appears with a yellow disk; the centre is often dazzlingly yellow when the edges are already red. The orb seen through a thick yellow mist appears ruby-red (as was the case in 1794, even in the north); the same appearance is still more decided, owing to the state of

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