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nydus/Goethe's Theory of ColoursPublic
Page 193 of 552
Table of Contents

GOETHE'S

step by step, and mark its increasing colour by receiving it on a plane at different distances, thus exhibiting before our eyes various sections of this cone, with an elliptical base: again, the phenomenon may at once be rendered beautifully visible throughout its whole course in the following manner:—Let a cloud of fine white dust be excited along the line in which the image passes through the dark space; the cloud is best produced by fine, perfectly dry, hair-powder. The more or less coloured appearance will now be painted on the white atoms, and presented in its whole length and breadth to the eye of the spectator.

327.

By this means we have prepared some diagrams, which will be found among the plates. In these the appearance is exhibited from its first origin, and by these the spectator can clearly comprehend why the luminous image is so much more powerfully coloured through prisms than through parallel mediums.

328 (212).

At the two opposite outlines of the image an opposite appearance presents itself, beginning from an acute angle;38 the appearance spreads as it proceeds further in space, according to this angle. On one side, in the direction in which the luminous image is moved, a violet border advances on the dark, a narrower blue edge remains next the outline of the image. On the opposite side a yellow border advances into the light of the image itself, and a yellow-red edge remains at the outline.

329 (213).

Here, therefore, the movement of the dark against the light, of

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