CodalSearch this book — or all of Codal…⌘K
nydus/Goethe's Theory of ColoursPublic
Page 145 of 495
Table of Contents

GOETHE'S

284.

In conclusion, we will mention a contrivance by means of which our scientific readers may be enabled to see these appearances distinctly at one view, and even in their greatest splendour. Cut in a piece of pasteboard five perfectly similar square openings of about an inch, next each other, exactly in a horizontal line: behind these openings place five coloured glasses in the natural order, orange, yellow, green, blue, violet. Let the series thus adjusted be fastened in an opening of the camera obscura, so that the bright sky may be seen through the squares, or that the sun may shine on them; they will thus appear very powerfully coloured. Let the spectator now examine them through the prism, and observe the appearances, already familiar by the foregoing experiments, with coloured objects, namely, the partly assisting, partly neutralising effects of the edges and borders, and the consequent apparent elongation or reduction of the coloured squares with reference to the horizontal line. The results witnessed by the observer in this case, entirely correspond with those in the cases before analysed; we do not, therefore, go through them again in detail, especially as we shall find frequent occasions hereafter to return to the subject.—Note P.

XIX.
ACHROMATISM AND HYPERCHROMATISM.

285.

Formerly when much that is regular and constant in nature was considered as mere aberration and accident, the colours arising from refraction were but little attended to, and were looked upon as an appearance attributable to particular local circumstances.

145