191
"Ma l'arivar a la maniera, al trato
(Verbi gratia) de Paulo, del Bassan,
Del Vechio, Tentoreto, e di Tician,
Per Dio, l'è cosa da deventar mato."—p. 294, 297.
192
The traces of the Aristotelian theory are quite as apparent in Boschini as in the other Italian writers on art; but as he wrote in the seventeenth century, his authority in this respect is only important as an indication of the earlier prevalence of the doctrine.
193
"De Meteor.," lib. 3, c. ii. and iv. He observes that this is the only effect of colour which painters cannot imitate.