human expression in act and art and literature takes a narrower view than we have here formulated; it presents each man not only as isolated from and antagonized with the world about him, but as cut off sharply and definitely from the past before he lived and the future after he is dead; it puts what is, in relation to the view we have taken, a disproportionate amount of stress upon his egotism, upon the pursuit of his self-interest and his personal virtue and his personal fancies, and it ignores the fact, the familiar rediscovery which the nineteenth century has achieved, that he is after all only the transitory custodian of an undying gift of life, an inheritor under conditions, the momentary voice and interpreter of a being that springs from the dawn of time and lives in offspring and thought and material consequence, for ever.
This over-accentuation in the past of man’s egoistic individuality, or, if one puts it in another way, this unsuspicious ignorance of the real nature of life, becomes glaringly conspicuous in such weighed and deliberate utterances as The Meditations of Marcus Aurelius. Throughout these frank and fundamental discourses one traces a predominant desire for a perfected inconsequent egotism. Body is repudiated as a garment, position is an accident, the past that made us exists not since it is past, the future exists not for we shall never see it; at last nothing but the abstracted ego remains,—a sort of complimentary Nirvana. One citation will serve to show the colour of all his thought. “A man,” he remarks, “is very devout to prevent the loss of his son. But I would have you pray rather against the fear of losing him. Let this be the rule for your devotions.” [Footnote: The Meditations of M. A. Antoninus, ix. 40.] That indeed is the rule for all the devotions of that departing generation of wisdom. Rather serenity and dignity than good ensuing. Rather a virtuous man than any resultant whatever from his lifetime, for the future of the world. It points this disregard of the sequence of life and birth in favour of an abstract and fruitless virtue, it points it indeed with a barbed point that the son of Marcus Aurelius was the unspeakable Commodus, and that the Roman Empire fell from the temporizing detachment of his rule into a century of disorder and misery.