of praise, marking out particular merits in his friend’s work; and Dorothea felt that she was getting quite new notions as to the significance of Madonnas seated under inexplicable canopied thrones with the simple country as a background, and of saints with architectural models in their hands, or knives accidentally wedged in their skulls. Some things which had seemed monstrous to her were gathering intelligibility and even a natural meaning: but all this was apparently a branch of knowledge in which Mr. Casaubon had not interested himself.
“I think I would rather feel that painting is beautiful than have to read it as an enigma; but I should learn to understand these pictures sooner than yours with the very wide meaning,” said Dorothea, speaking to Will.
“Don’t speak of my painting before Naumann,” said Will. “He will tell you, it is all pfuscherei , which is his most opprobrious word!”
“Is that true?” said Dorothea, turning