The artist was diligent, and Will recovering himself moved about and occupied Mr. Casaubon as ingeniously as he could; but he did not in the end prevent the time from seeming long to that gentleman, as was clear from his expressing a fear that Mrs. Casaubon would be tired. Naumann took the hint and said—
“Now, sir, if you can oblige me again; I will release the lady-wife.”
So Mr. Casaubon’s patience held out further, and when after all it turned out that the head of Saint Thomas Aquinas would be more perfect if another sitting could be had, it was granted for the morrow. On the morrow Santa Clara too was retouched more than once. The result of all was so far from displeasing to Mr. Casaubon, that he arranged for the purchase of the picture in which Saint Thomas Aquinas sat among the doctors of the Church in a disputation too abstract to be represented, but listened to with more or less attention by an audience above. The Santa Clara, which was spoken of in the second place, Naumann declared himself to be dissatisfied with—he could not, in conscience, engage to make a worthy picture of it; so about the Santa Clara the arrangement was conditional.
I will not dwell on Naumann’s jokes at the expense of Mr. Casaubon that evening, or on his dithyrambs about Dorothea’s charm, in all which Will joined, but with a difference. No sooner did Naumann mention any detail of Dorothea’s beauty, than Will got exasperated at his presumption: there was grossness in his choice of the most ordinary words, and what business had he to talk of her lips? She was not a woman to be spoken of as other women were. Will could not say just what he thought, but he became irritable. And yet, when after some resistance he had consented to take the Casaubons to his friend’s studio, he had been allured by the gratification of his pride in being the person who could grant Naumann such an opportunity of studying her loveliness—or rather her divineness, for the ordinary phrases which