From Pascal’s finished work we turn to his unfinished Remains. The one will always be regarded as the chief monument of his literary skill, and of the executive completeness of his mind. But the other is the worthier and nobler tribute to the greatness of his soul, and the depth and power of his moral genius. Few comparatively now read the ‘Provincial Letters’ as a whole; fewer still are interested in the controversy which they commemorate. But there are hardly any of higher culture—none certainly of higher thoughtfulness—to whom the ‘Pensées’ are not still attractive, and who have not sought in them at one time or another some answer to the obstinate questionings which the deeper scrutiny of human life and destiny is ever renewing in the human heart. No answer may have been found in them, but every spiritual mind must have so far met in the author of the ‘Pensées’ a kindred spirit which, if it has seen no farther than others, has yet entered keenly upon the great quest, and traversed with a singular boldness the great lines of higher speculation that “slope through darkness up to God.”
page 158The literary history of the ‘Pensées’ is a very curious one. They first appeared in the end of 1669, in a small duodecimo volume, with the appropriate motto, “Pendent opera interrupta.” Their preparation for the press had been a subject of much anxiety to Pascal’s friends. What is known as the “Peace of the Church”—a period of temporary quiet and prosperity to Port Royal—had begun in 1663; and it was important that nothing should be done by the Port Royalists to disturb this peace. It had been agreed, therefore, that all passages bearing on the controversy with the Jesuits and the Formulary should be omitted; but beyond this Madame Périer desired that the volume should only contain what proceeded from her brother, and in the precise form and style in which it had left his hand. She evidently lacked full confidence in the Committee