real power exercised by the passion of friendship over the mind of the Greek. The master in the art of love knew that there was a mystery in these feelings and their associations, and especially in the contrast of the sensible and permanent which is afforded by them; and he sought to explain this, as he explained universal ideas, by a reference to a former state of existence. The capriciousness of love is also derived by him from an attachment to some god in a former world. The singular remark that the beloved is more affected than the lover at the final consummation of their love, seems likewise to hint at a psychological truth.
It is difficult to exhaust the meanings of a work like the Phaedrus, which indicates so much more than it expresses; and is full of inconsistencies and ambiguities which were not perceived by Plato himself. For example, when he is speaking of the soul does he mean the human or the divine soul? and are they both equally self-moving and constructed on the same threefold principle? We should certainly be disposed to reply that the self-motive is to be attributed to God only; and on the other hand that the appetitive and passionate elements have no place in His nature. So we should infer from the reason of the thing, but there is no indication in Plato's own writings that this was his meaning. Or, again, when he explains the different characters of men by referring them back to the nature of the God whom they served in a former state of existence, we are inclined to ask whether he is serious: Is he not rather using a mythological figure, here as elsewhere, to draw a veil over things which are beyond the limits of mortal knowledge? Once more, in speaking of beauty is he really thinking of some external form such as might have been expressed in the works of Phidias or Praxiteles; and not rather of an imaginary beauty, of a sort which extinguishes rather than stimulates vulgar love,—a heavenly beauty like that which flashed from time to time before the eyes of Dante or Bunyan? Surely the latter. But