Are you to go to these people, you ask me? Never! No, no, again no! How could you think of doing such a thing as taking a journey? I will not allow it⁠—I intend to combat your intention with all my might. I will sell my frockcoat, and walk the streets in my shirt sleeves, rather than let you be in want. But no, Barbara. I know you, I know you. This is merely a trick, merely a trick. And probably Thedora alone is to blame for it. She appears to be a foolish old woman, and to be able to persuade you to do anything. Do not believe her, my dearest. I am sure that you know what is what, as well as she does. Eh, sweetheart? She is a stupid, quarrelsome, rubbish-talking old woman who brought her late husband to the grave. Probably she has been plaguing you as much as she did him. No, no, dearest; you must not take this step. What should I do then? What would there be left for me

to do? Pray put the idea out of your head. What is it you lack here? I cannot feel sufficiently overjoyed to be near you, while, for your part, you love me well, and can live your life here as quietly as you wish. Read or sew, whichever you like⁠—or read and do not sew. Only, do not desert me. Try, yourself, to imagine how things would seem after you had gone. Here am I sending you books, and later we will go for a walk. Come, come, then, my Barbara! Summon to your aid your reason, and cease to babble of trifles.

As soon as I can I will come and see you, and then you shall tell me the whole story. This will not do, sweetheart; this certainly will not do. Of course, I know that I am not an educated man, and have received but a sorry schooling, and have had no inclination for it, and think too much of Rataziaev, if you will; but he is my friend, and therefore, I must put in a word or two for him. Yes, he is a splendid writer. Again and again I assert that he writes magnificently. I do not agree with you about his works, and never shall. He writes too ornately, too laconically, with too great a wealth of imagery and imagination. Perhaps you have read him without insight, Barbara? Or perhaps you were out of spirits at the time, or angry with Thedora about something, or worried about some mischance? Ah, but you should read him sympathetically, and, best of all, at a time when you are feeling happy and contented and pleasantly disposed⁠—for instance, when you have a bonbon or two in your mouth. Yes, that is the way to read Rataziaev. I do not dispute (indeed, who would do so?) that better writers than he exist⁠—even far better; but they are good, and he is good too⁠—they write well, and he writes well. It is chiefly for his own sake that he writes, and he is to be approved for so doing.

P.S. ⁠—Thank you so much for the book, darling! I will read it through, this volume of Pushkin, and tonight come to you.

are ruining yourself for me, and hoarding your last kopeck that you may spend it on my behalf? You ought not so to act, my friend, even though you write that you would rather sell your all than let me want for anything. I believe in you, my friend⁠—I entirely believe in your good heart; but, you say that to me now (when, perhaps, you have received some unexpected sum or gratuity) and there is still the future to be thought of. You yourself know that I am always ailing⁠—that I cannot work as you do, glad though I should be of any work if I could get it; so what else is there for me to do? To sit and repine as I watch you and Thedora? But how would that be of any use to you? Am I necessary to you, comrade of mine? Have