| Martyrologium. | ||||
|---|---|---|---|---|
| £ | s. | d. | ||
| 7 quaternions of vellum at 8d. | 0 | 4 | 8 | |
| Payment to the scribe | 0 | 15 | 0 | |
| Illumination | 0 | 5 | 10 | |
| Binding | 0 | 2 | 2 | |
| Coloured initials | 0 | 0 | 8 | |
| £1 | 8 | 4 |
| Antiphonale. | ||||
|---|---|---|---|---|
| 34 quaternions of larger and more expensive sheets of vellum at 15d | 2 | 2 | 6 | |
| Payments to the scribe | 3 | 3 | 0 | |
| Adding to the musical notation | 1 | 0 | 6 | |
| Coloured initials | 0 | 1 | 0 | |
| Illumination | 0 | 15 | 11 | |
| Binding | 0 | 5 | 0 | |
| £7 | 7 | 11 |
(Twelve quires of vellum which were in stock were also used for this Antiphonale.)
The three Processionals only cost £1, 17s. 4d., being written on forty-six quaternions of cheap parchment made of sheepskin, which cost only 2½d. the quaternion.
Mr. Falconer Madan tells us that “in 1453 John Reynbold agreed at Oxford to write out the last three books of Duns Scotus’s Commentary on the Sentences of Peter Lombard, in quarto, for 2s. 2d.