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Henry B. Wheatley examines the historical fluctuations in the prices of books as an indicator of broader economic and intellectual development. The text analyzes how factors such as scarcity, mechanical innovation, and changing social values influence the market value of printed works over time.

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Table of Contents

CHAPTER IV PUBLISHED PRICES

It is worthy of note that Samuel Pepys was a subscriber to the lottery, and obtained the “Æsop” and the “Coronation,” which cost him £4 (Feb. 19, 1665-66).

Ogilby issued a Proposal for a second lottery, which was reprinted in the Gentleman’s Magazine (1814, part 1, pp. 646-48).31 This is valuable as containing the prices at which the books are valued, viz.—

£
An imperial Bible, with chorographical and an hundred historical sculps25
“Virgil,” translated, with sculps and annotations5
Homer’s “Iliads,” adorned with sculps5
Homer’s “Odysseys,” adorned with sculps4
“Æsop’s Fables,” paraphrased and sculped3
“His Majestie’s Entertainment”2

In 1689 St. John’s College, Cambridge, gave £10, 15s. for David Loggan’s Cantabrigia illustrata, 1688, but this probably included a present to the author; for in 1690 Eton College paid £4 for Cantabrigia illustrata and Oxonia illustrata, 1675, two volumes together, so that we may suppose the published price of each to be £2.

The Rev. John Flavel’s Works, in two volumes folio, was published in 1700 for forty shillings, which shows that the price of an illustrated volume in folio was still about £1.

Colin Campbell’s Vitruvius Britannicus, a handsome work containing a large number of fine architectural plates, was published at a very reasonable price. The first and second volumes, published in 1715 and 1717 respectively, were sold for four guineas on imperial paper, and three guineas on royal paper.

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