“But!” replied the friend, “you are still robust, healthy, and well. Tell me—where did you get such an idea?”
“My friend, I have no time to talk with you. Adieu.”
Tres Guerras departed, leaving the inquirer with the question on his lips. The following day, the octogenarian artist died. Fortunately his works survive and they perpetuate his memory.
COLONEL GREGORIO MÉNDEZ.
Born in Comalcalco and left an orphan at sixteen years of age, he succeeded, by activity and honorable dealing, in gaining a capital, if not large, at all events sufficient to render him comfortable. In 1859 he founded, at his own expense, a night school and, in the following year, another of music. Thus, doing good and devoted to his business, he lived beloved in his village, without dreams of political ambition or military fame, when General Arévalo took possession of San Juan Bautista and unfurled the banner of the Intervention. The Governor, Victorio Dueñas, offered no resistance and on the thirtieth of June, 1863, was routed. The first step of the Conqueror, Arévalo, was to condemn to exile those citizens who were reputed liberals, among them Gregorio Méndez; but he, in place of bowing to the orders of the usurper, organized a revolutionary movement, which broke out at Comalcalco, on October 8th. In Jalpa, Méndez seized some muskets; at the same time another patriot, Andres Sánchez Magallanes, rose in arms in Cárdenas. The republican revolution thus initiated, the commandant, Vidaña, was designated to act as Chief of Brigade, and Colonel Pedro Méndez as Governor; but, as the latter was captured at the capital and Vidaña was wounded, the military leadership fell upon the subject of our study, with no arrangement made for the civil government.
Thus the war of the Restoration began in Tabasco. In a few days the forces of Méndez joined those of Sánchez Magallanes, and the two