light but that he was moving it to and fro. This was at once made evident by the dull yellow gleam that danced in reflection on the cobwebs hanging in the corners of the ceiling. Whoever had struck this light in Rashōmon on this rainy night was surely no ordinary being!
At last, stealing up with muffled steps like a gecko, the lackey, crouching, scaled the ladder to the topmost step. Then lying as flat as he could and craning his neck forward as far as it would go, he peered with dread into the loft.
He peered, and the loft, as rumor had it, was full of corpses flung carelessly away, but, the circle illuminated by the light being smaller than had at first seemed apparent, he was not able to judge how many there might be. Only, he could make out vaguely that there were among them both clothed and unclothed cadavers. Of course, men and women appeared all to be jumbled up together. And like so many dolls of kneaded clay, these bodies sprawled on the floor with open mouths and out-thrown arms in such confusion as to make one doubt even that they had once been living beings. Moreover, while the wan light played on their shoulders, breasts and more elevated parts, the shadows of their depressions were intensified, and they lay in silence like eternal mutes that had never known speech.
In the stench of decaying flesh, the lackey involuntarily covered his nose. But the next moment his hand had forgotten its work. Excess of feeling had almost completely deprived him of his olfactory sense.
For the first time he had just caught sight of a living mortal squatting down among the dead. It was a monkey-like old hag in a dark brown kimono, short, skinny and white-headed. With a blazing splinter of pine in her right hand, she was peering fixedly into the face of one of the corpses. From its long hair, it seemed to be the body of a woman.
For a space, the lackey, moved by six parts of horror and four of curiosity, forgot even to breathe. To borrow the words of an old writer, he felt that