He encouraged her with “Try again!”
Tess was quite serious, painfully serious by this time; and she tried—ultimately and unexpectedly emitting a real round sound. The momentary pleasure of success got the better of her; her eyes enlarged, and she involuntarily smiled in his face.
“That’s it! Now I have started you—you’ll go on beautifully. There—I said I would not come near you; and, in spite of such temptation as never before fell to mortal man, I’ll keep my word. … Tess, do you think my mother a queer old soul?”
“I don’t know much of her yet, sir.”
“You’ll find her so; she must be, to make you learn to whistle to her bullfinches. I am rather out of her books just now, but you will be quite in favour if you treat her livestock well. Good morning. If you meet with any difficulties and want help here, don’t go to the bailiff, come to me.”
It was in the economy of this regime that Tess Durbeyfield had undertaken to fill a place. Her first day’s experiences were fairly typical of those which followed through many succeeding days. A familiarity with Alec d’Urberville’s presence—which that young man carefully cultivated in her by playful dialogue, and by jestingly calling her his cousin when they were alone—removed much of her original shyness of him, without, however, implanting any feeling which could engender shyness of a new and tenderer kind. But she was more pliable under his hands than a mere companionship would have made her, owing to her unavoidable dependence upon his mother, and, through that lady’s comparative helplessness, upon him.
She soon found that whistling to the bullfinches in Mrs. d’Urberville’s room was no such onerous business when she had regained the art, for she had caught from her musical mother numerous airs that suited those