say anything of your being able to sham a fit, and I don’t advise you to, either,” something made Ivan say suddenly.
“I quite understand. And if you don’t speak of that, I shall say nothing of that conversation of ours at the gate.”
Then it happened that Ivan went out, and only when he had gone a dozen steps along the corridor, he suddenly felt that there was an insulting significance in Smerdyakov’s last words. He was almost on the point of turning back, but it was only a passing impulse, and muttering, “Nonsense!” he went out of the hospital.
His chief feeling was one of relief at the fact that it was not Smerdyakov, but Mitya, who had committed the murder, though he might have been expected to feel the opposite. He did not want to analyze the reason for this feeling, and even felt a positive repugnance at prying into his sensations. He felt as though he wanted to make haste to forget something. In the following days he became convinced of Mitya’s guilt, as he got to know all the weight of evidence against him. There was evidence of people of no importance, Fenya and her mother, for instance, but the effect of it was almost overpowering. As to Perhotin, the people at the tavern, and at Plotnikov’s shop, as well as the witnesses at Mokroe, their evidence seemed conclusive. It was the details that were so damning. The secret of the knocks impressed the lawyers almost as much as Grigory’s evidence as to the open door. Grigory’s wife, Marfa, in answer to Ivan’s questions, declared that Smerdyakov had been lying all night the other side of the partition wall. “He was not three paces from our bed,” and that although she was a sound sleeper she waked several