arm and putting him back to bed, he would run to a dark corner in the passage and, leaning his head against the wall, he would break into paroxysms of violent weeping, stifling his sobs that they might not be heard by Ilusha.
Returning to the room, he would usually begin doing something to amuse and comfort his precious boy; he would tell him stories, funny anecdotes, or would mimic comic people he had happened to meet, even imitate the howls and cries of animals.
But Ilusha could not bear to see his father fooling and playing the buffoon. Though the boy tried not to show how he disliked it, he saw with an aching heart that his father was an object of contempt, and he was continually haunted by the memory of the “wisp of tow” and that “terrible day.”
Nina, Ilusha’s gentle, crippled sister, did not like her father’s buffoonery either (Varvara had been gone for some time past to Petersburg to study at the university). But the half-imbecile mother was greatly diverted and laughed heartily when her husband began capering about or performing something. It was the only way she could be amused; all the rest of the time she was grumbling and complaining that now everyone had forgotten her, that no one treated her with respect, that she was slighted, and so on. But during the last few days she had completely changed. She began looking constantly at Ilusha’s bed in the corner and seemed lost in thought. She was more silent, quieter, and, if she cried, she cried quietly so as not to be heard. The captain noticed the change in her with mournful perplexity. The boys’ visits at first only angered her, but