“It is no use your fingering your revolver, my friend,” he said in a quiet voice. “You know perfectly well that you dare not use it, even if I gave you time to draw it. Nasty, noisy things, revolvers, Count. Better stick to airguns. Ah! I think I hear the fairy footstep of your estimable partner. Good day, Mr. Merton. Rather dull in the street, is it not?”
The prizefighter, a heavily built young man with a stupid, obstinate, slab-sided face, stood awkwardly at the door, looking about him with a puzzled expression. Holmes’s debonair manner was a new experience, and though he vaguely felt that it was hostile, he did not know how to counter it. He turned to his more astute comrade for help.
“What’s the game now, Count? What’s this fellow want? What’s up?” His voice was deep and raucous.
The Count shrugged his shoulders, and it was Holmes who answered.
“If I may put it in a nutshell, Mr. Merton, I should say it was all up.”
The boxer still addressed his remarks to his associate.
“Is this cove trying to be funny, or what? I’m not in the funny mood myself.”
“No, I expect not,” said Holmes. “I think I can promise you that you will feel even less humorous as the evening advances. Now, look here, Count Sylvius. I’m a busy man and I can’t waste time. I’m going into that bedroom. Pray make yourselves quite at home in my absence. You can explain to your friend how the matter lies without the restraint of my presence. I shall try over the Hoffman ‘Barcarole’ upon my violin. In five minutes I shall return for your final answer. You quite grasp the alternative, do you not? Shall we take you, or shall we have the stone?”
Holmes withdrew, picking up his violin from the corner as he passed. A few moments later the long-drawn, wailing notes of that most haunting of tunes came faintly through the closed door of the bedroom.