XVIII

Then, as he was looking round aimlessly, K. saw Frieda far away at a turn of the passage; she behaved as if she did not recognise him and only stared at him expressionlessly; she was carrying a tray with some empty dishes in her hand. He said to the servant, who however paid no attention whatever to him⁠—the more one talked to the servant the more absentminded he seemed to become⁠—that he would be back in a moment, and ran off to Frieda. Reaching her he took her by the shoulders as if he were seizing his own property again, and asked her a few unimportant questions with his eyes holding hers. But her rigid bearing hardly as much as softened, to hide her confusion she tried to rearrange the dishes on the tray and said: “What do you want from me? Go back to the others⁠—oh, you know whom I mean, you’ve just come from them, I can see it.” K. changed his tactics immediately; the explanation mustn’t come so suddenly, and mustn’t begin with the worst point, the point most unfavourable to himself. “I thought you were in the taproom,” he said. Frieda looked at him in amazement and then softly passed her free hand over his brow and cheeks. It was as if she had forgotten what he looked like and were trying to recall it to mind again, even her eyes had the veiled look of one who was painfully trying to remember. “I’ve been taken on in the taproom again,” she said slowly at last, as if it did not matter what she said, but as if beneath her words she were carrying on another conversation with K. which was more important⁠—“this work here is not for me, anybody at all could do it; anybody who can make beds and look good-natured and doesn’t mind the advances of the boarders, but actually likes them; anybody who can do that can be a chambermaid. But in the taproom, that’s quite different. I’ve been taken on straight away for the taproom again, in spite of the fact that I didn’t leave it with any great distinction, but, of course, I had a