Let this suffice once for all concerning the origin of the “holy God.” The fact that in itself the conception of gods is not bound to lead necessarily to this degradation of the imagination (a temporary representation of whose vagaries we felt bound to give), the fact that there exist nobler methods of utilising the invention of gods than in this self-crucifixion and self-degradation of man, in which the last two thousand years of Europe have been past masters—these facts can fortunately be still perceived from every glance that we cast at the Grecian gods, these mirrors of noble and grandiose men, in which the animal in man felt itself deified, and did not devour itself in subjective frenzy. These Greeks long utilised their gods as simple buffers against the “bad conscience”—so that they could continue to enjoy their freedom of soul: this, of course, is diametrically opposed to Christianity’s theory of its god. They went very far on this principle, did these splendid and lionhearted children; and there is no lesser authority than that of the Homeric Zeus for making them realise occasionally that they are taking life too casually. “Wonderful,” says he on one occasion—it has to do with the case of Aegistheus, a very bad case indeed—
“Wonderful how they grumble, the mortals against the immortals, Only from us , they presume, comes evil , but in their folly, Fashion they, spite of fate, the doom of their own disaster.”
Yet the reader will note and observe that this Olympian spectator and judge is far from being angry with them and thinking evil of them on this score. “How foolish they are,” so thinks he of the misdeeds of mortals—and “folly,” “imprudence,” “a little brain disturbance,” and nothing more, are what the Greeks, even of the strongest, bravest period, have admitted to be the ground of much that is evil and fatal.—Folly, not sin, do you understand? …