It may be noticed, in passing, that Wild- Water was originally called Graham Creek and was so named on the early local maps. But the later name sticks. It was at Wake Robin Lodge that Avis Everhard later lived for short periods, when, disguised as an agent-provocateur of the Iron Heel, she was enabled to play with impunity her part among men and events. The official permission to occupy Wake Robin Lodge is still on the records, signed by no less a man than Wickson, the minor oligarch of the Manuscript.
Disguise did become a veritable art during that period. The revolutionists maintained schools of acting in all their refuges. They scorned accessories, such as wigs and beards, false eyebrows, and such aids of the theatrical actors. The game of revolution was a game of life and death, and mere accessories were traps. Disguise had to be fundamental, intrinsic, part and parcel of one’s being, second nature. The Red Virgin is reported to have been one of the most adept in the art, to which must be ascribed her long and successful career.
Disappearance was one of the horrors of the time. As a motif, in song and story, it constantly crops up. It was an inevitable concomitant of the subterranean warfare that raged through those three centuries. This phenomenon was almost as common in the oligarch class and the labor castes, as it was in the ranks of the revolutionists. Without warning, without trace, men and women, and even children, disappeared and were seen no more, their end shrouded in mystery.