“That is the paradox of it,” he countered. “We do get justice.”
“You are speaking professionally now, are you not?” I asked.
Colonel Ingram blushed, actually blushed, and again he looked anxiously about him for a way of escape. But I blocked his path and did not offer to move.
“Tell me,” I said, “when one surrenders his personal feelings to his professional feelings, may not the action be defined as a sort of spiritual mayhem?”
I did not get an answer. Colonel Ingram had ingloriously bolted, overturning a palm in his flight.
Next I tried the newspapers. I wrote a quiet, restrained, dispassionate account of Jackson’s case. I made no charges against the men with whom I had talked, nor, for that matter, did I even mention them. I gave the actual facts of the case, the long years Jackson had worked in the mills, his effort to save the machinery from damage and the consequent accident, and his own present wretched and starving condition. The three local newspapers rejected my communication, likewise did the two weeklies.
I got hold of Percy Layton. He was a graduate of the university, had gone in for journalism, and was then serving his apprenticeship as reporter on the most influential of the three newspapers. He smiled when I asked him the reason the newspapers suppressed all mention of Jackson or his case.
“Editorial policy,” he said. “We have nothing to do with that. It’s up to the editors.”
“But why is it policy?” I asked.