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are still at Malta. They are not intact, but what is there holds no less than three”⁠—he held up three fingers⁠—“references that can’t be to anything else but this jeweled falcon. In J. Delaville Le Roulx’s Les Archives de l’Ordre de Saint-Jean there is a reference to it⁠—oblique to be sure, but a reference still. And the unpublished⁠—because unfinished at the time of his death⁠—supplement to Paoli’s Dell’ origine ed instituto del sacro militar ordine has a clear and unmistakable statement of the facts I am telling you.”

“All right,” Spade said.

“All right, sir. Grand Master Villiers de l’Isle d’Adam had this foot-high jeweled bird made by Turkish slaves in the castle of St. Angelo and sent it to Charles, who was in Spain. He sent it in a galley commanded by a French knight named Cormier or Corvere, a member of the Order.” His voice dropped to a whisper again. “It never reached Spain.” He smiled with compressed lips and asked: “You know of Barbarossa, Redbeard, Khair-ed-Din? No? A famous admiral of buccaneers sailing out of Algiers then. Well, sir, he took the Knights’ galley and he took the bird. The bird went to Algiers. That’s a fact. That’s a fact that the French historian Pierre Dan put in one of his letters from Algiers. He wrote that the bird had been there for more than a hundred years, until it was carried away by Sir Francis Verney, the English adventurer who was with the Algerian buccaneers for a while. Maybe it wasn’t, but Pierre Dan believed it was, and that’s good enough for me.

“There’s nothing said about the bird in Lady Francis Verney’s Memoirs of the Verney Family During the Seventeenth Century , to be sure. I looked. And it’s pretty certain that Sir Francis didn’t have the bird when he died in a Messina hospital in 1615. He was stony broke. But, sir, there’s no denying that the bird did go to Sicily. It was there and it came into the possession there of Victor Amadeus II some time after he became king in 1713, and it was one of his gifts to his wife when he