CodalSearch this book — or all of Codal…⌘K
nydus/The Nature of a CrimePublic

After having gambled away assets entrusted to him, a lawyer writes a series of letters to his lover in an attempt to unburden his conscience.

Page 10 of 54
Table of Contents

I

You are, I suppose, by now in Rome. It is very curious how present to me are both Rome and yourself. There is a certain hill⁠—you, and that is the curious part of it, will never go there⁠—yet, yesterday, late in the evening, I stood upon its summit and you came walking from a place below. It is always midday there: the seven pillars of the Forum stand on high, their capitals linked together, and form one angle of a square. At their bases there lie some detritus, a broken marble lion, and I think but I am not certain, the bronze she-wolf suckling the two bronze children. Your dress brushed the herbs: it was grey and tenuous: I suppose you do not know how you look when you are unconscious of being looked at? But I looked at you for a long time⁠—at my You.

I saw your husband yesterday at the club and he said that you would not be returning till the end of April. When I got back to my chambers I found a certain letter. I will tell you about it afterwards⁠—but I forbid you to look at the end of what I am writing now. There is a piece of news coming: I would break it to you if I could⁠—but there is no way of breaking the utterly unexpected. Only, if you read this through you will gather from the tenor, from the tone of my thoughts, a little inkling, a small preparation for my disclosure. Yes: it is a “disclosure.”

… Briefly, then, it was this letter⁠—a business letter⁠—that set me thinking: that made that hill rise before me. Yes, I stood upon it and there before me lay Rome⁠—beneath a haze, in the immense sea of plains. I have often thought of going to Rome⁠—of going with you, in a leisurely autumn of your life and mine. Now⁠—since I have received that letter⁠—I know that I shall never see any other Rome than that from an imagined hilltop. And when, in the wonderful light and shadelessness of that noon, last evening, you came from a grove of silver poplars, I looked at you⁠— my

10