V

“So,” I asked, “Edward has arranged everything down to the last detail?”

Edward looked to me for approval and applause.

“You see, Annie has had so little experience, and I’ve had to look after my mother’s house for years.” His air said: “Yes! You’ll see our establishment will be run on the very best lines! Don’t you admire the way I’m taming her already?”

I gave him, of course, a significant glance. Heaven knows why: for it is absolutely true that I am tired of appearing reliable⁠—to Edward Burden or anyone else in the world. What I want to do is simply to say to Edward Burden: “No, I don’t at all admire your dragging down a little bundle of ideals and sentiments to your own fatted calf’s level.”

I suppose I have in me something of the poet. I can imagine that if I had to love or to marry this little Averies girl I should try to find out what was her tiny vanity and I should minister to it. In some way I should discover from her that she considered herself charming, or discreet, or tasteful, or frivolous, beyond all her fellows. And, having discovered it, I should bend all my energies to giving her opportunities for displaying her charm, her discreetness or her coquetry. With a woman of larger and finer mould⁠—with you!⁠—I should no doubt bring into play my own idealism. I should invest her with the attributes that I consider the most desirable in the world. But in either case I cannot figure myself dragging her down to my own social or material necessities.

That is what Edward Burden is doing for little Miss Averies. I don’t mean to say that he does not idealize her⁠—but he sees her transfigured as the dispenser of his special brand of tea or the mother of the sort of child that he was. And that seems to me a very valid reason why women, if they were wise, should trust their fortunes cold-bloodedly and of set reason to the class of dangerous men that now allure them and that they flee from.