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nydus/The NecromancersPublic
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I

that neither the boy himself nor Mrs. Baxter in the least seemed to realize the astonishing selfishness of this very boy’s actions.

She had known him now for three years, though owing to her own absence in France a part of the time, and his absence in London for the rest, she had seen nothing of this last affair.

At first she had liked him exceedingly; he had seemed to her ardent, natural, and generous. She had liked his affection for his mother and his demonstrativeness in showing it; she had liked his well-bred swagger, his manner with servants, his impulsive courtesy to herself.

It was a real pleasure to her to see him, morning by morning, in his knickerbockers and Norfolk jacket, or his tweed suit; and evening by evening in his swallowtail coat and white shirt, and the knee breeches and buckled shoes that he wore by reason of the touch of picturesque and defiant romanticism that was so obvious a part of his nature.

Then she had begun, little by little, to perceive the egotism that was even more apparent; his self-will, his moodiness, and his persistence.

Though, naturally, she had approved of his conversion to Catholicism, yet she was not sure that his motives were pure. She had hoped indeed that the Church, with its astonishing peremptoriness, might do something towards a moral conversion, as well as an artistic and intellectual change of view. But this, it seemed, had not happened; and this final mad episode of Amy Nugent had fanned her criticism to indignation. She did not disapprove of romance⁠—in fact she largely lived by it⁠—but there were things even more important, and she was as angry as she could be, with decency, at this last manifestation of selfishness.

For the worst of it was that, as she knew perfectly well, Laurie was rather an exceptional person.

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